In a future, post-apocalyptic Los Angeles brought about by nuclear decimation, citizens must live in underground bunkers to protect themselves from radiation, mutants, and bandits.
“Flash, bam, alakazam. Out of an orange colored sky” are the opening words to Nat King Cole’s song “Orange Colored Sky”, which describes his feeling of falling in love. But Prime Video’s adaptation of the beloved game franchise, Fallout, it takes a much more sinister and literal meaning as that Orange Colored Sky marks the beginning of the thermonuclear apocalypse and the ends of the world.
I have not played the Fallout games, but I am familiar with the franchise as I have watched some gameplay and lore videos regarding Fallout. The games don’t really have a story structure as they are an open-world RPG, where the player can do whatever they want in a nuclear wasteland. It is filled with unique worldbuilding as the aesthetics are a mix of what the 1950s thought the future would be and a thermonuclear apocalypse. Furthermore, the series’ iconic dark humor and brutal violence add to the fun nature of the games. So adapting this franchise into a television series was going to be very interesting as Amazon’s history with adaptations have either been massive hits like The Boys and Invincible, or massive clusterfucks like The Lord of the Rings: The Rings of Power and The Wheel of Time. Thankfully, Fallout is a masterful adaptation of the video game franchise that sticks true to the games while also being accessible and fun to those unfamiliar with the franchise.
Fallout flawlessly captures the essence and look of the franchise right down to the last bottlecap. The costume and production design swiftly transports viewers into a world of stark contrasts. From the pristine, utopian 1950s aesthetics of the vaults to the radioactive Wild West of the surface is meticulously rendered. Furthermore, it nails the game’s twisted and dark humor as well as the horrors of thermonuclear warfare. Now some lore changes will make some purists unhappy, but Fallout is a faithful adaptation of the game.
The series’ narrative simplicity proves to be both its strength and its weakness. Centered around three characters vying for a MacGuffin, with two intertwining subplots—one set in the vaults and the other as a prelude to the nuclear devastation—the storyline is straightforward yet interconnected. Each subplot offers vital insights into the others, weaving a compelling narrative without resorting to misleading twists. However, despite its apparent simplicity, the storyline occasionally feels contrived and lacks consistent internal logic. It’s unexpected for such a straightforward plot to stumble over basic storytelling elements. However, this flaw can be readily forgiven given the impeccably crafted characters.
Our trio of main characters is exquisitely portrayed, with performances worthy of acclaim, possibly even Emmy-worthy. Ella Purnell’s portrayal of Lucy is particularly remarkable; she brings depth to a character archetype that might have easily fallen flat in less capable hands. As the moral compass of the show, Lucy is portrayed with a blend of bubbly naivety and genuine kindness that never veers into caricature thanks to Purnell’s natural charisma. Witnessing her gradual transformation into a hardened survivor as he learns from her mistakes and takes advice from others without compromising her core values is both riveting and emotionally resonant.
Aaron Clifton Moten, a veteran of the industry for nearly two decades, delivers a breakthrough performance in Fallout as he embodies every gamer’s fantasy by donning the Armor of The Brotherhood of Steel. His portrayal of a sheltered man-child who is trying to do the right thing when he realizes the religious military cult he grew up in views him as expendable. To see him try to break away from the cult while also battling his inner designer for power is a fascinating character development. As he navigates his character’s journey alongside Lucy, offering guidance on the harsh realities of the wasteland, Moten’s performance is both poignant and subtly humorous, showcasing his impeccable comedic timing.
However, the biggest standout performance of the series is Walton Goggins as Copper Howard and The Ghoul. These two characters are on opposite sides of the moral spectrum. When he is Cooper in the past, he is a morally righteous character who slowly realizes that he might have sold his soul to the devil by promoting Vault-tec. To watch his slow realization of the evils of not only the company he has associated with, but the woman he has married is a powerful moral reckoning. Then his transformation into the hardened, badass, Ghoul with no moral code has a tragic undertone. To see a man become the very thing he hates is tragic. Yet watching him slowly regain his moral code while interacting with Lucy is powerful. This is a layered performance from Goggins that is centered entirely on moral conflict. If he does not receive an Emmy, I am going to riot.
To watch these three characters learn and grow from one another is a testament to the power of writing excellent characters with fully realized arcs. I can’t wait to see where these characters go into their future seasons. Will they keep to their ways or will they realize they have a common enemy?
In conclusion, Fallout emerges as a compelling adaptation of the successful game franchise. It understands and respects not only the source material but also the fanbase as the series is clearly made for them. I can’t wait to see what lies in the next season, but I know that I am excited to see New Vegas.
My Rating: B+
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